MOANIN NEW SMARTMUSIC MINGUS PRO

5, first movement, closing group, progression from lyric to march topics 6.8 Bruckner, Symphony No. 5, first movement, first and second themes 6.7 Bruckner, Symphony No. 121вЂ“217, bass progression 6.6 Bruckner, Symphony No. 2, first movement, first-theme recapitulation 6.5 Beethoven, Piano Sonata Op.

2, first movement, progress of motive вЂyвЂ™ in exposition 6.4 Beethoven, Piano Sonata Op. 216вЂ“36 Wagner, Tristan und Isolde, Act 3: Isolde, вЂTristan! Ah!вЂ™ Poulenc, Pastourelle, close Poulenc, Concerto for Organ, Timpani and Strings, opening organ solo Poulenc, Sextuor, вЂDivertissementвЂ™, opening Tchaikovsky, Rococo Variations, mm. 361вЂ“7 The Beach Boys, вЂGod Only KnowsвЂ™, figured bass reduction Beethoven, Symphony No. Musical examples Rimsky-Korsakov, Sheherazade, Andantino, mm. List of illustrations Preface Acknowledgements 1 Introduction STEPHEN DOWNES 2 Values and judgements JAMES GARRATT 3 Absolute music THOMAS GREY 4 Program music JAMES HEPOKOSKI 5 Beautiful and sublime STEPHEN DOWNES 6 Dialectics and musical analysis JULIAN HORTON 7 Classicism/neoclassicism KEITH CHAPIN 8 Romanticism/anti-romanticism SANNA PEDERSON 9 Jazz вЂ“ avant-garde вЂ“ tradition KENNETH GLOAG 10 Narrative NICHOLAS REYLAND 11 Music and the moving image JEREMY BARHAMДЎ2 Irony JULIAN JOHNSON 13 Propaganda JIM SAMSON 14 Virtuosity and the virtuoso JAMES DEAVILLE List of contributors Index of musical works, composers and performers Index of terms in aesthetics General index

MOANIN NEW SMARTMUSIC MINGUS PRO

Mе…ѓ845.I34 2014 781.1вЂ™7 вЂ“ dc23 2014011012 ISBN: 978-9-9 (hbk) ISBN: 978-4-8 (ebk) Typeset in Minion Pro by Florence Production Ltd, Stoodleigh, Devon, UK Senior Editor: Constance Ditzel Senior Editorial Assistant: Elysse Preposi Production Manager: Mhairi Bennett Marketing Manager: Emilie Littlehales Project Manager: Amy Wheeler Copy Editor: Diana Chambers Proofreader: Hamish Ironside Cover Design: Jayne Varney pages cm Includes bibliographical references and index. Library of Congress Cataloging in Publication Data Ideas in the aesthetics of music: musicological approaches/edited by Stephen Downes.

Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Stephen Downes is Professor of Music at Royal Holloway, University of London.ДЄesthetics of Music Musicological PerspectivesДЇirst published 2014 by Routledge 711 Third Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business В© 2014 Taylor & Francis The right of Stephen Downes to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All essays cover historical origins, sources and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.

Topics have been selected from among widely recognized central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. Each essay includes musical examples, which are drawn from works in the eighteenth, nineteenth and twentieth centuries. Aesthetics of Music: Musicological Perspectives is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to вЂthe musicвЂ™ as possible.

Moanin new smartmusic mingus